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The feeling of being watched: lived Confucianism and theatricality in Kuo Pao Kun’s mid-1980s monodramas

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Date

2020

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Routledge

DOI

10.1080/14649373.2020.1759885

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http://dx.doi.org/10.1080/14649373.2020.1759885
 https://ir.lib.nycu.edu.tw/handle/11536/158152

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Inter-Asia Cultural Studies;;Inter-Asia Cultural Studies

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