女子豈應關大計？：論蕭紅文本性別與國族意識之關涉

Abstract

本文以東北流亡作家蕭紅作品為研究對象，探討中國現代文學中，國族意識不同的發展階段，以及女性作家在其中扮演的角色問題。 學界目前多反對魯迅、胡風等「反映民族（主義）精神」的傳統意見，以為是對蕭紅其人及作品的誤讀，並進一步提出蕭紅透過描繪女性身體苦難，呈現文化傳統批判的意義，對男性本質的國族主義提出質疑反省。然而反思1930年代抗日風潮中，民族主義對階級與性別身分的抹滅侵蝕時，突出蕭紅等女性作家作為封建傳統及國家意識的反抗角色，是否同樣將造成歷史、作者及文本的誤讀，甚至形成另類對女性主體，以及其與文化傳統意識關係的剝削，仍不無疑問。 本文試圖透過蕭紅女性問題相關的小說，配合其他文本，較完整清晰描繪出蕭紅自爭取性別平等、反思女性被壓迫現實出發，從順從、抗拒到企圖改變國族論述的過程，以及其中所顯示的性別象徵秩序與族群認同概念。

The literary works of Xiao Hong has proved perplexing to those working in the areas of feminism, national identity, and modernism. In recent years, it has attracted a great deal of scholarly attention, but negative views of nationalism and idealization of female characters, have prevented scholars from a genuine restoration of the Xiao Hong's personal experience and reflection, and a creative, integrated interpretation of her works on nationalism. Therefore, this paper explores the convictions of Xiao Hong towards Chinese women and ordinary people to determine the way in which she adapted cultural and traditional conceptions in support of various modern sociopolitical purposes and aims. Through examining the personal as well as fictional texts, we attempt to pull back the veil of anti-nationalist discourse, so as to determine the ideal relationship between women and nationalism that Xiao Hong really imagined.