邁向反知識原詩：詩人工作者谷川雁的聲響認識論

Abstract

谷川雁（Tanigawa Gan, 1923-1995），是對日本新左翼思想及運動有著顛覆性衝擊的詩人思想家。在由日本越境至臺灣島上的批判性藝術行動－帳篷劇與舞踏中亦出現了他的痕跡。回顧由此連結出的水脈，其中的思想與行動可以被視為對知識的破壞性創造工作。「如果不顛覆世界的映像，就永遠無法顛覆現實。先從印象（image）開始改變！」谷川雁的這個戰法，換言之就是顛覆既有的思考框架、召喚新可能性之想像、在思想層次上開啟的革命戰爭。在他的思想中，民眾同時作為反動溫床與革命動力源的能量場。在「異端之民」的深處，存在著作為革命陰極（相對於以前衛黨或知識分子代表的陽極）的「原點」。對此，他如雙頭怪獸般同時拒絕學院派的知性秩序，也拒絕「大眾的沈默」。以「工作者」為方法，他試圖在對前者的組織語言及後者的生活語言的雙重破壞上，創造「朝反方向結晶的知性」的新語言。這個新語言啟動於與埋藏在現實表層底下的異端之民的「原詩」的共鳴。從這條思路中，我們可以發現一條以聲響串接的思想方式。這對製造具有知識生產性的思想噪音這項工作，提供了一些可用的音源。

Tanigawa Gan is a poet and thinker who has a subversive impact on Japanese New Left thinking and movement. His trace can also be found in such critical art actions as Tent Theatre and Butoh, which travels from Japan to Taiwan. Looking at the context of his influence, the thoughts and actions in it can be seen as the work of destructive creation of knowledge. Tanigawa said: ＂If you do not subvert the reflection of the world, you will never be able to subvert the reality. Start with the image.＂ This proposition is his tactics. It is to subvert the existing framework, to summon the imagination of new possibilities, and wage revolutionary wars at the ideological level. In his thoughts, people are an energy field of both reactionary and revolutionary motives. In the depth of ＂heretical people,＂ there is an ＂Origin＂ as the cathode of revolution (relative to the anode as represented by vanguard party or intelligentsia). Like a double-headed monster, he refuse intellectual orders of the academism and reject ＂the mute of the masses.＂ The ＂Maker＂ (工作者) method that he used, attempted to undermine both former's organized language and the latter's living language, subsequently created a new language that ＂crystallized at the opposite direction of intellectual.＂ This new language started by the resonance of the ＂ur-poesy＂ which is buried under the surface of reality. In this route, we can find a thinking approach which concatenated by ＂sound.＂ It provides some useable ＂sources＂ for how to create a work with productive intellectual thought of noise.