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dc.contributor.author黃琬茜zh_TW
dc.contributor.author董昭民zh_TW
dc.contributor.authorHuang, Wan-Chienen_US
dc.contributor.authorTung,Chiao-Mingen_US
dc.date.accessioned2018-01-24T07:40:21Z-
dc.date.available2018-01-24T07:40:21Z-
dc.date.issued2017en_US
dc.identifier.urihttp://etd.lib.nctu.edu.tw/cdrfb3/record/nctu/#GT070359308en_US
dc.identifier.urihttp://hdl.handle.net/11536/141189-
dc.description.abstract本論文為音樂劇場作品《聽視感》之輔助文件,整部作品使用法國文學作品《小王子》為文字素材,藉由「文字與音程轉換系統」與「色彩聯想意象」讓演員及中阮以顏色與文字為媒介,呈現演出當下相互影響之心理情緒反應。分為四個章節。第一章緒論;第二章為創作動機、創作概念及相關理論在藝術上的應用介紹,此章包含色彩的使用與樂譜設計,以及相關作品介紹分析;第三章為《聽視感》音樂劇場原創作品之架構與技術析,並詳述作品的音樂與顏色的運用及文字與音程系統的轉換,與舞台設計(包含空間與燈光的使用);第四章結語。zh_TW
dc.description.abstractThis thesis functions as a supplementary document to the music-theatre work — The Sense of Hearing, Sight and Perception. With the French novella The Little Prince featured as material, the composition utilizes the Word-Interval Transfer System (WITS)and the Color Image, making actors and zhongruan players present current emotions and inner reactions through the interplay of colors and words. This thesis consists of four chapters— the first chapter is the introduction; the second chapter presents the composition motives, concepts and the application of relevant theories, including color usage, music score design, and the analysis of related pieces; at last, the fourth chapter serves as a conclusion.en_US
dc.language.isozh_TWen_US
dc.subject新音樂劇場zh_TW
dc.subject色彩共感zh_TW
dc.subject色彩意象zh_TW
dc.subject小王子zh_TW
dc.subject文字與音樂zh_TW
dc.subject卡格爾zh_TW
dc.subject阿佩吉斯zh_TW
dc.subjectNew Music Theatreen_US
dc.subjectChromaesthesiaen_US
dc.subjectColor Imageen_US
dc.subjectLe Petit Princeen_US
dc.subjectWord and Musicen_US
dc.subjectMauricio Kagelen_US
dc.subjectGeorges Aperghisen_US
dc.title黃琬茜新音樂劇場作品發表會 含原創作品集與聽視感註釋文件zh_TW
dc.titleWAN-CHIEN HUANG NEW MUSIC THEATRE COMPOSITION RECITAL ORIGINAL COMPOSITIONS WITH COMMENTARY OF THE SENSE OF HEARING, SIGHT AND PERCEPTIONen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis