Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 郭揚 | en_US |
| dc.contributor.author | 邱靖雯 | en_US |
| dc.date.accessioned | 2023-05-23T00:39:19Z | - |
| dc.date.available | 2023-05-23T00:39:19Z | - |
| dc.date.issued | 2021-05-16 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/15196?issueID=806 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/160591 | - |
| dc.description.abstract | 獨立音樂是一種「態度」而不是音樂風格，台灣獨立音樂經歷了35年的發展，從地下音樂演變至獨立音樂，在面對商業與主流音樂的挑戰中，該如何拿捏獨立與商業的界線，不失去本有的特色，為現今獨立音樂人的課題之一。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 獨立音樂？「商業化」就不聽？ | zh_TW |
| dc.citation.issue | 第362期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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