標題: Suzuki Tadashi\'s La Dame aux Camelias in Taiwan
作者: Tuan, Iris Hsin-chun
人文社會學系 含:族群與文化碩士班
Department of Humanities and Social Sciences, Graduate Program of Ethnicity and Culture
公開日期: 1-三月-2014
摘要: Postmodern pastiche and hybridity informed the performance La Dame aux Camelias (Taipei, 2011) directed by Tadashi Suzuki (19394 Suzuki\'s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings. Iris Hsin-chun Tuan is an associate professor in the Department of Humanities and Social Sciences at National Chiao Tung University in Taiwan. She received her PhD in theater from the University of California, Los Angeles, and has been a visiting scholar at Harvard University.
URI: http://hdl.handle.net/11536/24352
ISSN: 0742-5457
期刊: ASIAN THEATRE JOURNAL
Volume: 31
Issue: 1
起始頁: 228
結束頁: 241
顯示於類別:期刊論文