導言：臺灣客家音樂研究的回顧與前瞻
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國立交通大學客家文化學院
College of Hakka Studies, National Chiao Tung University
College of Hakka Studies, National Chiao Tung University
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Abstract
本文爬梳近代客家音樂研究的發展，以臺灣在地的客家音樂論述為主要探討對象，兼論鄰近地區的客家音樂書寫，分析不同時期的客家音樂研究取徑以及晚近的發展，藉此脈絡化本專輯所收錄四篇專文的特色，及其對於現階段客家音樂研究的重要性。本文首先說明文獻回顧的範疇，繼而指出客家音樂的研究至少可以溯及19世紀後半西方傳教士與漢人對於「客家」民歌的採集與描述。爾後，筆者探討清末與日治時期臺灣漢文與日文書寫對於「客人」戲歌的刻畫，並且整理二戰過後臺灣論者對於「客家」音樂的研究成果，分析不同階段的焦點與研究取徑。接著，筆者從晚近學者所指出的客家研究典範移轉出發，進而指出晚近客家音樂研究尚未充分探究的議題面向。本文最後引介本專輯收錄文章，說明其如何補充既有的客家音樂學術成果。
This article reviews the studies of Taiwan Hakka music in the past century. I focused on local writings on Hakka music, but I also examined publications in relation to the music from neighboring regions that had shaped the perspectives of Taiwanese writers. I analyzed the evolution of research foci. In addition, I discussed the ＂paradigm shifts＂ in Hakka Studies proposed by recent studies, arguing that the new foci in Hakka Studies may benefit the studies of Hakka music. Finally, I discussed the significance of the four articles presented by this special issue, highlighting their contribution to existing literature.
This article reviews the studies of Taiwan Hakka music in the past century. I focused on local writings on Hakka music, but I also examined publications in relation to the music from neighboring regions that had shaped the perspectives of Taiwanese writers. I analyzed the evolution of research foci. In addition, I discussed the ＂paradigm shifts＂ in Hakka Studies proposed by recent studies, arguing that the new foci in Hakka Studies may benefit the studies of Hakka music. Finally, I discussed the significance of the four articles presented by this special issue, highlighting their contribution to existing literature.