日治時期西式音樂活動中的女性形象(II)

Abstract

日治時期西式音樂活動中的女性形象(II) 本研究主要為系列研究計畫「日治時期西式音樂活動中的婦女形象（I）」之進階研究， 嘗試進一步深化探討日治時期西式音樂（包括教會音樂、藝術音樂、通俗音樂）公共活 動中女性形象的塑造、接受與再現等相關議題。此系列研究除了試圖了解不同社會階層 婦女的多元公共音樂生活經歷，分析台灣近代社會婦女的女性形象、社會地位如何藉由 所參與的音樂公共活動而被型塑與接受，並嘗試進一步從國家政策面了解此期殖民政府 所期待婦女於社會中所扮演的角色與貢獻。此外，本計畫也企圖由各種未出版的婦女日 記、書信、寫真，及已有的檔案、文獻、回憶錄、傳記、報紙、廣告、海報…了解不同 階層婦女如何形成各自的“婦女認同＂。本期計畫仍將聚焦於日治時期教會相關音樂活 動中的女性形象探討。由女子教會學校的教學制度、教學方式、教師、學生、演出與宗 教活動等管道著手，蒐集相關文獻並進行口訪。同時比較台、日、英、加拿大等地女子 教會學校之教育理念與實施方式。此外，並檢視日治時期殖民政府對於官方教育體制外 的女子教會學校的管理政策。

Women’ s Images in Western Music Activities during the Japanese Colonial Rule (II) This study is founded on the rough result of the preceding research project on “Women’s Images in Western Music Activities during the Japanese Colonial Rule (I)”. It attempts to broaden the research scope and explore with greater depth into Taiwanese women’s Images in western music activities (including the domain of church music, art music, and popular music) . It discusses how Taiwanese women’s images had been constructed, received and represented in different music activities during the Japanese Colonial Rule. By analyzing how social status of women was built up through music activities in order to understand further what role these women played and what contribution they made in that age. In this study, I will still focus my discussion on the relationship between Taiwanese women’s images and the music actives in the domain of church music and church education.