Transborder assemblages: Johnnie To’s co-production action films in Mainland China
| dc.citation.epage | 291 | en_US |
| dc.citation.issue | 2 | en_US |
| dc.citation.spage | 276 | en_US |
| dc.citation.volume | 25 | en_US |
| dc.contributor.author | Liu Jinping | en_US |
| dc.date.accessioned | 2024-03-25T03:42:22Z | |
| dc.date.available | 2024-03-25T03:42:22Z | |
| dc.date.issued | 2024 | en_US |
| dc.identifier.doi | 10.1080/14649373.2024.2311530 | en_US |
| dc.identifier.issn | 1469-8447 | en_US |
| dc.identifier.journal | INTER-ASIA CULTURAL STUDIES | en_US |
| dc.identifier.uri | http://dx.doi.org/10.1080/14649373.2024.2311530 | en_US |
| dc.identifier.uri | https://doi.org/10.1080/14649373.2024.2311530 | en_US |
| dc.identifier.uri | https://ir.lib.nycu.edu.tw/handle/11536/162682 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Routeledge | en_US |
| dc.title | Transborder assemblages: Johnnie To’s co-production action films in Mainland China | en_US |
| dc.type | Campus Publications | en_US |
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