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The synthesis of rock textures in Chinese landscape painting

dc.citation.epageC131en_US
dc.citation.issue3en_US
dc.citation.spageC123en_US
dc.citation.volume20en_US
dc.contributor.authorWay, DLen_US
dc.contributor.authorShih, ZCen_US
dc.contributor.department資訊工程學系zh_TW
dc.contributor.departmentDepartment of Computer Scienceen_US
dc.date.accessioned2014-12-08T15:44:21Z
dc.date.available2014-12-08T15:44:21Z
dc.date.issued2001en_US
dc.description.abstractIn Chinese landscape painting, rock textures portray the orientation of mountains and contribute to the atmosphere. Many landscape-painting skills are required according to the type of rock. Landscape painting is the major theme of Chinese painting. Over the centuries, masters of Chinese landscape painting developed various texture strokes. Hemp-fiber and axe-cut are two major types of texture strokes. A slightly sinuous and fiber stroke is used for describing the gentle sloped of rock formations whereas seemingly broken line, the hemp the axe-cut stroke best depicts hard, rocky surfaces. This paper presents a novel method of synthesizing rock textures in Chinese landscape painting, useful not only to artists who want to paint interactively, but also in automated rendering of natural scenes, The method proposed underwrites the complete painting process after users have specified only the contour and parameters.en_US
dc.identifier.issn0167-7055en_US
dc.identifier.journalCOMPUTER GRAPHICS FORUMen_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/29956
dc.identifier.wosnumberWOS:000171089400016
dc.language.isoen_USen_US
dc.titleThe synthesis of rock textures in Chinese landscape paintingen_US
dc.typeArticle; Proceedings Paperen_US

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