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Debordering: woodcut printmaking practice in inter-Asian context

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dc.citation.epage501en_US
dc.citation.issue3en_US
dc.citation.spage489en_US
dc.citation.volume25en_US
dc.contributor.authorLeeChun Fungen_US
dc.contributor.authorKrystie Ngen_US
dc.contributor.authorKenichiro Egamien_US
dc.date.accessioned2024-05-22T07:14:01Z
dc.date.available2024-05-22T07:14:01Z
dc.date.issued2024en_US
dc.identifier.doi10.1080/14649373.2024.2336734en_US
dc.identifier.issn1469-8447en_US
dc.identifier.journalINTER-ASIA CULTURAL STUDIESen_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2024.2336734en_US
dc.identifier.urihttps://doi.org/10.1080/14649373.2024.2336734en_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/162943
dc.language.isoen_USen_US
dc.publisherRouteledgeen_US
dc.titleDebordering: woodcut printmaking practice in inter-Asian contexten_US
dc.typeCampus Publicationsen_US

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