Making icons: the rise of the K-pop adjacent industries
| dc.citation.epage | 895 | en_US |
| dc.citation.issue | 6 | en_US |
| dc.citation.spage | 874 | en_US |
| dc.citation.volume | 25 | en_US |
| dc.contributor.author | CedarBough T. Saeji | en_US |
| dc.date.accessioned | 2024-12-17T02:43:20Z | |
| dc.date.available | 2024-12-17T02:43:20Z | |
| dc.date.issued | 2024 | en_US |
| dc.identifier.doi | 10.1080/14649373.2024.2365594 | en_US |
| dc.identifier.issn | 1469-8447 | en_US |
| dc.identifier.journal | INTER-ASIA CULTURAL STUDIES | en_US |
| dc.identifier.uri | http://dx.doi.org/10.1080/14649373.2024.2365594 | en_US |
| dc.identifier.uri | https://doi.org/10.1080/14649373.2024.2365594 | en_US |
| dc.identifier.uri | https://ir.lib.nycu.edu.tw/handle/11536/163363 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Routeledge | en_US |
| dc.title | Making icons: the rise of the K-pop adjacent industries | en_US |
| dc.type | Campus Publications | en_US |
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