<link rel="stylesheet" href="styles.cf390c6bfbe7555f.css">

North Korean appropriating Stanislavsky for the revolutionary theatre acting: focusing on experience

Simple item page
dc.citation.epage275en_US
dc.citation.issue2en_US
dc.citation.spage261en_US
dc.citation.volume25en_US
dc.contributor.authorJaebeom Hongen_US
dc.contributor.authorSeungmoo Paiken_US
dc.contributor.authorSeong-kwan Choen_US
dc.date.accessioned2024-03-25T03:42:21Z
dc.date.available2024-03-25T03:42:21Z
dc.date.issued2024en_US
dc.identifier.doi10.1080/14649373.2024.2293560en_US
dc.identifier.issn1469-8447en_US
dc.identifier.journalINTER-ASIA CULTURAL STUDIESen_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2024.2293560en_US
dc.identifier.urihttps://doi.org/10.1080/14649373.2024.2293560en_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/162681
dc.language.isoen_USen_US
dc.publisherRouteledgeen_US
dc.titleNorth Korean appropriating Stanislavsky for the revolutionary theatre acting: focusing on experienceen_US
dc.typeCampus Publicationsen_US

Files

License bundle

Now showing 1 - 1 of 1
Thumbnail Image
Name:
license.txt
Size:
1.71 KB
Format:
Item-specific license agreed to upon submission
Description:
Download

Collections

Inter-Asia Cultural Studies;;Inter-Asia Cultural Studies