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Performing androgyny: cross-dressing actresses, fandom, and queer sensibility in Hong Kong Cantonese opera

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dc.citation.epage157en_US
dc.citation.issue2en_US
dc.citation.spage139en_US
dc.citation.volume22en_US
dc.contributor.authorP. Tseen_US
dc.date.accessioned2022-09-27T08:11:08Z
dc.date.available2022-09-27T08:11:08Z
dc.date.issued2021en_US
dc.identifier.doi10.1080/14649373.2021.1929403en_US
dc.identifier.issn1469-8447en_US
dc.identifier.journalInter-Asia Cultural Studiesen_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2021.1929403en_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/158200
dc.language.isoen_USen_US
dc.publisherRoutledgeen_US
dc.titlePerforming androgyny: cross-dressing actresses, fandom, and queer sensibility in Hong Kong Cantonese operaen_US
dc.typeCampus Publicationsen_US

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