建築相對論 - 建築師與使用者參考系下架構的相對關係

Abstract

本論文以探究建築存在的意圖與目的為宗旨，以兩方主體──建築師與使用者， 所建構的參考系下，建築如何被設計、被植入觀點、被接收訊息、被轉化為經驗、被 沉澱為意象，甚至在最終如何緩慢而深層的成為文化與社會的底蘊來改變人類的既存 經驗、思想、生活模式，抑或是一個城市的未來發展。 本文所提出的「相對論」基本建構著力於不同的參考系下被表彰及定義出來的存 在部分，而這些部分可以是以各種形式與層面彰顯於或隱身於建築設計中：它可能是 實體、虛體、五感經驗、身體的移動、意識型態的轉移、資訊的表露、地域環境的架構， 甚至是都市意象的翻轉。透過建築設計師的思想置入與使用者的經歷反饋，彼此架構 的參考系交互影響，成就了建築存在的意義與目的。最終，企圖探究並詮釋建築的存 在本身沒有「絕對論」，而是在建築師與使用者們所建構的參考系們交織下被理解與 被經驗的一個過程，以及連帶在不同時間截面下的後續效應。

“Theory of Relativity” in this thesis based on the relationship between architects’ and users’ reference systems, exploring the intension and purpose of architecture’s existence. Beyond the interaction of these reference systems, how architecture be designed, be implanted viewpoints, be received information, be transformed into experience, and be made as images. Ultimately, how this influence slowly and deeply becomes human beings’ existing experience, thoughts, lifestyles, or even development of a city in their society and culture. The proposed “Theory of Relativity” in this paper is considering the revealed existence under these two different reference systems, and these portions may be various forms and layers in or hidden in architecture design. It could be physical volumes, empty spaces, experience under five senses, movement of body, transformation of ideologies, revelation of information, reconstruction of regional environment, even the change of urban images. Through the input of architects’ thoughts and users’ experience, the reference systems between these two characters affect each other. Under this influence, the meaning and purpose of architecture existence are achieved. In the end, try to interpret that there is no “theory of absolute” in architecture, but a process be understood and experienced from the interaction between architects’ and users’ reference systems, associating the following effects at different times.