标题: 捆绑的愉悦与女性情欲解放: 以《格雷的五十道阴影》之迷群为例
Binding for Pleasure and Liberation of Female Sexuality: An Example of《Fifty Shades of Grey》Fans
作者: 陈昭希
Chen, Chao-Hsi
郭良文
Kuo, Liang-Wen
传播研究所
关键字: 女性情欲;后女性主义;罗曼史;迷群;皮绳愉虐;Female sexuality;post-feminism;romance;fan group;BDSM
公开日期: 2015
摘要: 罗曼史长久以来被女性主义者视为女人的迷幻药,是逃避现实的一种消遣,但近年来《格雷的五十道阴影》却在台湾吹起一股情欲罗曼史的浪潮,以女性视角为主的大量情欲书写,将凝视客体与观看主体的性别位置翻转了,展现过去受到漠视和压抑的女性情欲。本研究先以不同女性主义派别对罗曼史的观点为基础,而后讨论当女性主义进入到后女性时期,阴性书写的力量开始受到重视,女性拿回书写的主权,将重点放在女人的身体、情欲和母体,为女性回复了在在阳具中心论中,被否定的差异性。

有一群对此文本深切着迷的读者,研究者称这群人为格雷迷群,本研究以深度访谈透过十三名台湾格雷迷的日常生活经历,结合弗洛伊德之精神分析理论于书中角色的分析,探讨成长背景是否影响她们从罗曼史迷成为格雷迷的过程,并以迷相关理论归纳其行为特质与愉悦经验,并从中瞭解格雷迷创作同人文的意义和反思。

研究结果发现,女性渴望从阅读/创作的过程获得虚拟的男性关爱,是她们情欲解放的前提。迷群的创作是基于对原作不满足的“二度逃逸”,一方面逃离现实性别权力结构的压迫,一方面逃离看似针对女性角色的“厌女情节”,实则是对自己女性身分的“自我厌恶”,强调女性必须接受自己的阴性特质和独特性。而对于《格雷的五十道阴影》出现的BDSM性爱方式,让女性对父权宰制的性意识形态进行反抗,开放情欲态度,尊重不同主体的性实践。


关键字:女性情欲、后女性主义、罗曼史、迷群、皮绳愉虐
Romance has long been regarded by the feminists as opium for women; it is an amusement for escapists. In recent years, the “Fifty Shades of Grey” series has aroused a fashion of erotic romance. The story is filled with lusts and passion from female’s viewing angles, reversing the traditionally subject vs. object gender positions, and revealing sexual desires that used to be ignored and depressed.

The study copes with arguments and viewpoints on romance from various factions of feminism, and then turns to the discussions on the rise of feminine writing power when it comes to the post-feminism period, a time when women are trying to get back their sovereignty of writing and put more emphases on the body, the lust, and the maternity, in order to unshackle themselves from the ideologies of being the denied, weak gender in the penis-centered world.

There exists a group of fascinated readers, called them the “Grey fan group”. In this study, in-depth interviews with 13 Grey fans in Taiwan are conducted and details recorded about their life experiences. By using the methodology employed in Freud's psychoanalytic theory, how their backgrounds play a crucial role in affecting the process of switching them from romance fans to Grey fans is explored. Furthermore, based on fan-related theories, I summarized their behaviors and experiences of joy and tried to figure out the humanistic meanings and reverse-thinking of the Grey-fan writers or creators.

Research findings are as follows: women are eager to gain fictitious care from men in the world of reading or writing; such eagerness is the premise of liberation of sexuality. The composition or creation by the fan group can be seen as the “second escape”; they intend to flee from the practical world where power structure of the gender is unbalanced, and also flee from the “female-discriminating complex” that implies their self-loathing conflicts. Their purposes are trying to accept and value the femininity and uniqueness possessed by their own gender. The BDSM sex style shown in the movie implies that women are fighting against the patriarchy-dominated ideologies, becoming more liberalized toward sex, and persuading people to respect each individual in their pursuit and realization of sex.

Key words: Female sexuality, post-feminism, romance, fan group, BDSM
URI: http://140.113.39.130/cdrfb3/record/nctu/#GT070259122
http://hdl.handle.net/11536/127627
显示于类别:Thesis