Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 尹祺 | zh_TW |
| dc.date.accessioned | 2017-11-16T06:25:57Z | - |
| dc.date.available | 2017-11-16T06:25:57Z | - |
| dc.date.issued | 1973-06 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/138084 | - |
| dc.description.abstract | 五月中 一、第一個嘗試-六梁渡之釁 當初原是把場景都你在南寮海灘。 七月以後戲譚 二、理性與意識之泯滅與再興 自「日落黃沙」及「牛郎血淚美人恩」以降，山姆畢京柏(Sam Peckinpah)開始刻意於鏡頭的繁複運變，同時也讓切割的畫面有條不紊底貫伸。 | zh_TW |
| dc.language.iso | zh_TW | en_US |
| dc.publisher | 學藝委員會交青組 | zh_TW |
| dc.title | 五月中與七月以後戲譚 | zh_TW |
| dc.type | Campus Publications | en_US |
| dc.identifier.journal | 交大青年 | zh_TW |
| dc.citation.volume | 15 | en_US |
| dc.citation.spage | 4 | en_US |
| dc.citation.epage | 9 | en_US |
| Appears in Collections: | Chiao Tung Youth Club | |
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