標題: 胡子涵雙簧管演奏會 含輔助文件 安塔爾‧多拉悌《雙簧管與鋼琴二重複協奏曲》 之作曲分析與詮釋探討
TZU-HAN HU OBOE RECITAL WITH A SUPPORTING PAPER THE ANALYSIS AND INTERPRETATION OF DORÁTI’S DUO CONCERTANTE FOR OBOE AND PIANO
作者: 胡子涵
李珮琪
董昭民
Hu, Tzu-Han
Li, Pei-Chi
Tung, Chao-Ming
音樂研究所
關鍵字: 多拉悌;雙簧管與鋼琴二重複協奏曲;士兵舞;匈牙利音樂;狂想曲;Antal Doráti;Duo Concertante;Verbunkos;Hungarian Music;Rhapsody
公開日期: 2016
摘要: 安塔爾‧多拉悌 ( Antal Doráti, 1906-1988 ) 是二十世紀匈牙利著名的指揮家兼作曲家。出生於音樂世家的他,從小跟隨高大宜 ( Zoltán Kodály, 1882-1967 )及巴爾托克 ( Béla Bartók, 1881-1945 ) 學習,受嚴格傳統音樂教育的訓練,將匈牙利民族創作手法融入於其作品中。多拉悌一生因指揮家身分遊走於世界各國演出,與許多頂尖交響樂團合作,他將這些經驗亦帶入其作品中,充分發揮不同樂器的特性,使其創作技巧及作品受人讚揚。此曲《雙簧管與鋼琴二重複協奏曲》 ( Duo Concertante for Oboe and Piano ) 創作於1983年,在二十世紀新音樂的圍繞下,多拉悌反其道而行,利用了匈牙利十七世紀士兵舞舞蹈音樂的特色,將祖國傳統民謠特性融入於現代音樂語法中。
Antal Doráti ( 1906-1988 ) is an outstanding Hungary conductor and composer in the 20th century. As born in a musical family, he followed Zoltán Kodály (1882-1967 ) and Béla Bartók (1881-1945 ) when he was young. Being trained strictly by traditional musical education, he brought hungarian traditional skill of folk songs into his compositions. As a conductor, Doráti toured over the world in his life, and cooperated with many notable orchestras. He brought those experiences into his compositions, using the characteristic of different instruments at large, so as his composing skill and compositions get a highly praise by others. Duo Concertante for Oboe and Piano was composed in 1983. Around the New Music in the 20th century, Doráti did the exactly opposite way. He used the features of Hungary dance music in 17th century, which called “verbunkos”, and assimilated the characteristic of traditional folk song into modern musical articulation.
URI: http://etd.lib.nctu.edu.tw/cdrfb3/record/nctu/#GT070259318
http://hdl.handle.net/11536/138616
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