完整後設資料紀錄
DC 欄位語言
dc.contributor.author楊建章zh_TW
dc.date.accessioned2022-09-19T02:16:07Z-
dc.date.available2022-09-19T02:16:07Z-
dc.date.issued2019-12-01en_US
dc.identifier.issn1816-0514en_US
dc.identifier.urihttp://dx.doi.org/10.6752/jcs.201912_(28).0002en_US
dc.identifier.urihttp://hdl.handle.net/11536/157991-
dc.description.abstract本文的焦點,以1930年代到1940年代初,日本作曲家與評論人對於音樂中的「日本特質」(日本的なるもの)的討論,以及與當時最重要的政治文化事件—「皇記二千六百年」,的音樂活動為主要對象。本文認為,當時的音樂論述中對於「日本的」現代主義音樂的想像,與對於日本帝國以及法西斯體制下的戰時日本,有著微妙的對應關係,尤其是呈現在音樂與國家論述的時間特性之中。zh_TW
dc.description.abstractThe fascist connection with music during WWII in European contexts has been well documented and studied in the past decades. Less attention was paid, however, to the fact that the musical link to political fascism was developed in contemporaneous Japan. This paper examines wartime Japan in their music-aesthetic discourses during the 1930s and early 1940s, focusing on the modern manifestation of "Japanese quality"(日本的なるもの) in music. In particular, this paper analyzes the characterization of the temporality of the state and the temporality in music, and explains how music and state were put on a parallel scale of time.en_US
dc.language.isozh_TWen_US
dc.publisher國立陽明交通大學出版社zh_TW
dc.publisherNational Yang Ming Chiao Tung University Pressen_US
dc.subject音樂zh_TW
dc.subject日本zh_TW
dc.subject現代主義zh_TW
dc.subject法西斯zh_TW
dc.subject時間性zh_TW
dc.subjectFascismen_US
dc.subjectTemporalityen_US
dc.subjectMusicen_US
dc.subjectModernismen_US
dc.subjectJapanen_US
dc.title音樂、國家、與時間性:以日本二戰前後音樂關於日本特質的論爭為例zh_TW
dc.typeCampus Publicationsen_US
dc.identifier.doi10.6752/jcs.201912_(28).0002en_US
dc.identifier.journal文化研究zh_TW
dc.identifier.journalRouter: A Journal of Cultural Studiesen_US
dc.citation.issue28en_US
dc.citation.spage13en_US
dc.citation.epage60en_US
顯示於類別:文化研究


文件中的檔案:

  1. Router-2019-28-2.pdf

若為 zip 檔案,請下載檔案解壓縮後,用瀏覽器開啟資料夾中的 index.html 瀏覽全文。