完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.author | B. Bernards | en_US |
| dc.date.accessioned | 2022-09-27T08:11:09Z | - |
| dc.date.available | 2022-09-27T08:11:09Z | - |
| dc.date.issued | 2021 | en_US |
| dc.identifier.issn | 1469-8447 | en_US |
| dc.identifier.uri | http://dx.doi.org/10.1080/14649373.2021.1962072 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/158214 | - |
| dc.language.iso | en_US | en_US |
| dc.publisher | Routledge | en_US |
| dc.title | Sinophone meets Siamophone: audio-visual intersubjectivity and pirated ethnicity in Midi Z’s Poor Folk and The Road to Mandalay | en_US |
| dc.type | Campus Publications | en_US |
| dc.identifier.doi | 10.1080/14649373.2021.1962072 | en_US |
| dc.identifier.journal | Inter-Asia Cultural Studies | en_US |
| dc.citation.volume | 22 | en_US |
| dc.citation.issue | 3 | en_US |
| dc.citation.spage | 352 | en_US |
| dc.citation.epage | 372 | en_US |
| 顯示於類別： | Inter-Asia Cultural Studies | |
