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DC FieldValueLanguage
dc.contributor.authorJaebeom Hongen_US
dc.contributor.authorSeungmoo Paiken_US
dc.contributor.authorSeong-kwan Choen_US
dc.date.accessioned2024-03-25T03:42:21Z-
dc.date.available2024-03-25T03:42:21Z-
dc.date.issued2024en_US
dc.identifier.issn1469-8447en_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2024.2293560en_US
dc.identifier.urihttps://doi.org/10.1080/14649373.2024.2293560en_US
dc.identifier.urihttp://hdl.handle.net/11536/162681-
dc.language.isoen_USen_US
dc.publisherRouteledgeen_US
dc.titleNorth Korean appropriating Stanislavsky for the revolutionary theatre acting: focusing on experienceen_US
dc.typeCampus Publicationsen_US
dc.identifier.doi10.1080/14649373.2024.2293560en_US
dc.identifier.journalINTER-ASIA CULTURAL STUDIESen_US
dc.citation.volume25en_US
dc.citation.issue2en_US
dc.citation.spage261en_US
dc.citation.epage275en_US
Appears in Collections:Inter-Asia Cultural Studies


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