North Korean appropriating Stanislavsky for the revolutionary theatre acting: focusing on experience

完整後設資料紀錄

DC 欄位	值	語言
dc.contributor.author	Jaebeom Hong	en_US
dc.contributor.author	Seungmoo Paik	en_US
dc.contributor.author	Seong-kwan Cho	en_US
dc.date.accessioned	2024-03-25T03:42:21Z	-
dc.date.available	2024-03-25T03:42:21Z	-
dc.date.issued	2024	en_US
dc.identifier.issn	1469-8447	en_US
dc.identifier.uri	http://dx.doi.org/10.1080/14649373.2024.2293560	en_US
dc.identifier.uri	https://doi.org/10.1080/14649373.2024.2293560	en_US
dc.identifier.uri	http://hdl.handle.net/11536/162681	-
dc.language.iso	en_US	en_US
dc.publisher	Routeledge	en_US
dc.title	North Korean appropriating Stanislavsky for the revolutionary theatre acting: focusing on experience	en_US
dc.type	Campus Publications	en_US
dc.identifier.doi	10.1080/14649373.2024.2293560	en_US
dc.identifier.journal	INTER-ASIA CULTURAL STUDIES	en_US
dc.citation.volume	25	en_US
dc.citation.issue	2	en_US
dc.citation.spage	261	en_US
dc.citation.epage	275	en_US
顯示於類別：	Inter-Asia Cultural Studies