Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 王雅涵 | en_US |
| dc.date.accessioned | 2014-12-11T04:48:41Z | - |
| dc.date.available | 2014-12-11T04:48:41Z | - |
| dc.date.issued | 2010-10-10 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/85?issueID=4 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/33786 | - |
| dc.description.abstract | 台灣寺廟密度高，平均每鄉鎮擁有32座寺廟，這主要是歸因於早期移民以寺廟、宗廟為中心聚集，宗教和家族、地方緊密集合。因此，由迎神賽會所衍生出的種種廟會文化，久而久之也成為地方間比拚的重點。台灣話裡有一句「輸人不輸陣，輸陣就歹看面」，點出酬神活動的藝陣，在過去是等同於鄉里間重大的藝文交流活動。如今藝陣逐漸改良，並自成一門精緻的民俗藝術。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 傳統藝陣 創新風格 | zh_TW |
| dc.citation.issue | 喀報第八十六期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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