Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 陳怡秀 | en_US |
| dc.date.accessioned | 2014-12-11T05:29:53Z | - |
| dc.date.available | 2014-12-11T05:29:53Z | - |
| dc.date.issued | 2009-04-05 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/1577?issueID=64 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/34268 | - |
| dc.description.abstract | 自二○○三年金磚四國(BRIC)的概念被提出後，作為其中一國的印度(India)，嶄露頭角的態勢遂勢不可檔。文化上有著悠久歷史，加上本身的神秘色彩使得印度受到各國的矚目，早在多年前便透過各種影像媒材出現在世界媒體平台之上。而透過傳播工具的進步與思想變遷，印度發展出更多元的意象，透過他者凝視的轉述與改編，有些呈現方式雖仍帶有極大成分的文化刻板印象，卻也為印度帶來了新的思考與審視。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 西方凝視下的印度意象 | zh_TW |
| dc.citation.issue | 傳科學生網第四十五期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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