Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 黃艾如 | en_US |
| dc.date.accessioned | 2014-12-11T05:30:20Z | - |
| dc.date.available | 2014-12-11T05:30:20Z | - |
| dc.date.issued | 2009-10-11 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/1818?issueID=77 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/34508 | - |
| dc.description.abstract | 自二○○○年，周杰倫以一首＜娘子＞帶起中國風歌曲的流行，捧紅了作詞者方文山，並在樂壇帶起一股「文山流」的歌詞風潮，至今已有無數的流行歌手，將所謂的東方元素，以及強烈的敘事風格融入商業歌曲裡。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 華麗空洞 流行歌感動不再 | zh_TW |
| dc.citation.issue | 傳科學生網第五十八期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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