Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 李庭蕙 | en_US |
| dc.date.accessioned | 2014-12-11T09:36:20Z | - |
| dc.date.available | 2014-12-11T09:36:20Z | - |
| dc.date.issued | 2011-04-03 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/3074?issueID=124 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/35181 | - |
| dc.description.abstract | 歌仔戲起源於宜蘭，而發展成小戲的表演型態。當歌仔戲構成所謂的「戲」，自然漸漸地衍生出完整的劇情。然而，在傳統社會下所形成的歌仔戲故事結構，反映當時保守的民俗風氣，往往瀰漫著對女性的束縛，即使歌仔戲的「生角」為女性所扮演，但劇本中的女性形象時常顯得軟弱無力。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 影評 | zh_TW |
| dc.title | 女性妳在哪？ | zh_TW |
| dc.citation.issue | 喀報第一零二期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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