Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 王雅涵 | en_US |
| dc.date.accessioned | 2014-12-11T09:36:20Z | - |
| dc.date.available | 2014-12-11T09:36:20Z | - |
| dc.date.issued | 2011-04-03 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/3075?issueID=124 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/35182 | - |
| dc.description.abstract | 「三分前場，七分後場」，這是台灣梨園的俗語。傳統藝術中的歌仔戲和布袋戲皆流傳這句話，意思是說一場戲劇的演出很大部分是得歸功於在後場負責演奏配樂的樂師們，反倒是於前場表演的木偶或是演員必須與隱身在舞臺後的樂隊配合。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 樂評 | zh_TW |
| dc.title | 與時並進 布袋戲聲響演進 | zh_TW |
| dc.citation.issue | 喀報第一零二期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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