Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 林儀 | en_US |
| dc.date.accessioned | 2014-12-11T09:37:49Z | - |
| dc.date.available | 2014-12-11T09:37:49Z | - |
| dc.date.issued | 2012-04-01 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/4274?issueID=166 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/35957 | - |
| dc.description.abstract | 傳統戲曲的表現形式包含了程式化的生旦淨丑四大角色，及配樂、唱詞、臉譜等元素，經過幾百年的演變，才成為今日我們所見的現代化的京劇，有了貼近觀眾的特殊審美經驗，且蘊含著廣大歷史洪流的痕跡與嘗試突破的新意。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 傳統戲曲的蛻變 現代意象 | zh_TW |
| dc.citation.issue | 喀報第一三一期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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