Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 楊佳靜 | en_US |
| dc.date.accessioned | 2014-12-11T09:38:17Z | - |
| dc.date.available | 2014-12-11T09:38:17Z | - |
| dc.date.issued | 2012-06-10 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/4534?issueID=177 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/36188 | - |
| dc.description.abstract | 寶藏巖聚落自注入藝居共生的概念後，成為台北市的文創景點。但寶藏巖成立初期卻因制度設計不健全，藝術家與居民的溝通產生阻礙，藝術與公共性之間也漸有失衡的傾向，成為寶藏巖共生聚落目前首要反思的課題。 | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 社會議題 | zh_TW |
| dc.title | 寶藏巖 藝居尋共生 | zh_TW |
| dc.citation.issue | 喀報第一四十期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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