Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 龔霈鏵 | en_US |
| dc.date.accessioned | 2014-12-11T09:38:44Z | - |
| dc.date.available | 2014-12-11T09:38:44Z | - |
| dc.date.issued | 2012-11-04 | en_US |
| dc.identifier.uri | http://castnet.nctu.edu.tw/castnet/article/4854?issueID=187 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/36402 | - |
| dc.description.abstract | 當《暗黑破壞神3》一上市時，造成全台搶購熱潮；台灣連續劇出現車禍、肢體衝突等場景，而收視率依然屢創新高；許多的限制級血腥電影，所有的殺人凌虐橋段都描述的鉅細靡遺，卻依然票房開紅盤。為何大眾還是對這些擁有血腥暴力的媒體依然趨之若鶩？ | zh_TW |
| dc.language.iso | zh_TW | zh_TW |
| dc.subject | 文化現象 | zh_TW |
| dc.title | 暴力媒介 是暴還是利 | zh_TW |
| dc.citation.issue | 喀報第一四七期 | en_US |
| dc.contributor.department | Department of Communication and Technology | en_US |
| dc.contributor.department | 傳播與科技學系 | zh_TW |
| Appears in Collections: | Cast Net | |
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