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dc.contributor.author易欣穎en_US
dc.contributor.authorI, Hsin-yinen_US
dc.contributor.author吳庭毓en_US
dc.contributor.author李子聲en_US
dc.contributor.authorWu, Ting Yuen_US
dc.contributor.authorLee, Tzyy-shengen_US
dc.date.accessioned2014-12-12T01:42:43Z-
dc.date.available2014-12-12T01:42:43Z-
dc.date.issued2010en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT079746513en_US
dc.identifier.urihttp://hdl.handle.net/11536/45753-
dc.description.abstract本文主要的議題為理查史特勞於一八八七年創作的 E 大調降小提琴奏鳴曲,另外也與一八八八年的交響詩作品《唐璜》比較其相似的創作手法。第一章節主要是透過作曲家的生平與學習歷程來了解其音樂創作風格。第二章則為與交響詩《唐璜》創作手法的比較,透過樂曲結構、曲調素材以及管弦配器的比較來了解之間的共通性。第三章為演奏詮釋,筆者希望透過以上兩章節的分析給予演奏者不同觀點的詮釋方法。zh_TW
dc.description.abstractThis thesis will study Richard Strauss’s E-flat major Violin Sonata of 1887 in comparison with his Don Juan of 1888 to examine their similar compositional techniques. The first chapter traces the origins of the composer’s unique composition method by following the composer’s biographical background and learning experience. The second chapter compares the formal structure, tonal materials, and the orchestration between the Violin Sonata and Don Juan. Building on the first two chapters, the last one discusses the performance issue in the hope of reaching a new interpretation of the work.en_US
dc.language.isozh_TWen_US
dc.subject理查史特勞斯zh_TW
dc.subject小提琴奏鳴曲zh_TW
dc.subject交響詩唐璜zh_TW
dc.subject樂曲結構zh_TW
dc.subject管弦樂配器zh_TW
dc.subjectRichard Straussen_US
dc.subjectDon Juanen_US
dc.subjectmisuc structureen_US
dc.subjectorchestral orchestrationen_US
dc.title易欣穎小提琴演奏會含輔助文件-理查史特勞斯降E大調小提琴奏鳴曲作品18之研究zh_TW
dc.titleHsin-yin I violin recital with a supporting paper: The study of Richard Strauss violin sonata in E-flat major, op. 18en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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