柯普蘭鋼琴變奏曲:從材料所呈現的文脈關係看其在時間上的佈局

Abstract

這篇輔助文件是從相關文件中了解Copland的創作語法開始,並參考了許多 關於 Piano Variations的文章.文件的重點是放在對於Piano Variations音樂結構上的分析 ,這些分析的結果是作為最後演奏的詮 釋依據.而對於議題的決定,主要是從對樂曲所做 的深入分析而得到的 啟發.在其中我發現這首表面片斷的音樂中,還具有一個底層的文脈 關 係,因而使音樂能聯繫而營造出整體性.所以,我便將焦點放於如何將這首 片斷化的樂曲 詮釋得具有整體性 .為了達到這樣的結果,我將探討這首 樂曲中主題與變奏的創作手法. 樂曲結構的安排.變奏間的文脈關係 This paper,by examining various documentatins,begins with the studies of Copland as a musician in general and as a composer in particular, thengradually focuses on Copland's compositional techniques, and finally presents an analysis on the Piano Variations.The analysis, by unfolding some textual teleo- relationships,tries to illuminate the structual continuity that lies beneath the seemingly fragmented surface. Accordingly, I try to interpret theVariations as one long stretch of music which can be divided into subgroups that structually build up one primary climax with a few subordinate ones preceeding it .