完整後設資料紀錄
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dc.contributor.author陳怡穎en_US
dc.contributor.authorYi-Yin Chenen_US
dc.contributor.author辛幸純en_US
dc.contributor.authorHsing-Chwen Hsinen_US
dc.date.accessioned2014-12-12T02:24:04Z-
dc.date.available2014-12-12T02:24:04Z-
dc.date.issued1999en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#NT880509037en_US
dc.identifier.urihttp://hdl.handle.net/11536/66204-
dc.description.abstract本篇輔助文件主要是在探討《蝴蝶》中音樂與文學的結合。舒曼的創作風格深受浪漫主義的影響,他把音樂當成文學作品去架構營造。本文藉由觀察音樂與小說間的關連,試圖瞭解《Papillon》這首多變、幻想的性格小曲,並在詮釋上就時間及其個性上的處理加以探討。zh_TW
dc.description.abstractThis supplementary material aims mainly to examine the integration of music and literature in Schumann’s "Papillon". Schumann, whose style had been deeply influenced by romanticism, regarded literary works as the framework of his music. Through observing the interrelation between music and novels, the article aims to understand "Papillon", an everchanging fantastical set of character pieces, as well as delving into the timing and characterization issues in performance interpretation.en_US
dc.language.isozh_TWen_US
dc.subject舒曼zh_TW
dc.subject蝴蝶zh_TW
dc.subject鋼琴zh_TW
dc.subject音樂zh_TW
dc.subject文學zh_TW
dc.subjectschumannen_US
dc.subjectpapillonen_US
dc.subjectpianoen_US
dc.subjectmusicen_US
dc.subjectliteratureen_US
dc.title陳怡穎鋼琴演奏會(含輔助文件:舒曼鋼琴曲《蝴蝶》之研究與詮釋探討—音樂與文學的結合)zh_TW
dc.titleYi-Yin Chen Piano Recital ( with Supporting Paper : The Integration of Music and Literature - A Performer's Study on Schumann's Papillon Op.2)en_US
dc.typeThesisen_US
dc.contributor.department應用藝術研究所zh_TW
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