管絃樂作品《山水塵外》及其創作理念

Abstract

本論文包括兩個部分：一部份為管絃樂作品《山水塵外》，另一部份為此曲之創作理念之文字敘述。 《山水塵外》為一首管絃樂作品，全曲為單一樂章形式。創作理念以山水繪畫之美感經驗為基礎，並將此美感經驗所涵蓋的中國美感範疇在此論文中作體現。 曲中亦引用了古琴曲《秋風詞》的旋律片段作為全曲樂思築基與情感姿態的來源，欲呈現沉浸、消融於自然山水的“淡”、“清”、“遠”之感受。

The thesis consists of two parts: one is the orchestral composition entitled Landscape Beyond the World, and the other is an essay about the compositional idea. Landscape Beyond the World, an orchestral composition, is a single-movement piece that is based on my personal experience with reference to the aesthetic perception of Chinese landscape painting. The whole of the piece could be thought as an embodiment of the experience belonging to the feeling toward and concept of Chinese landscape painting. The composition quotes parts of the ku-ch’in’s melody of “Autumn Wind Poetry”, which is treated as the foundation of the tunes and the repository of emotional gestures in the piece. The quality of the piece is close to the “thin”, “pure” and “far” characteristics that have been emphasized in the Chinese poems and Chinese landscape painting.