完整後設資料紀錄
DC 欄位語言
dc.contributor.author張巧怜en_US
dc.contributor.authorChang-Ling Changen_US
dc.contributor.author辛幸純en_US
dc.contributor.authorDr.Hsing-Chwen Hsinen_US
dc.date.accessioned2014-12-12T02:27:33Z-
dc.date.available2014-12-12T02:27:33Z-
dc.date.issued2001en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#NT900248006en_US
dc.identifier.urihttp://hdl.handle.net/11536/68378-
dc.description.abstract這篇輔助文件將就詮釋堤貝特(Tippett)作品第二號鋼琴奏鳴曲時,在面臨文本以拼貼手法呈現的情況下,如何在片段化的情緒中,試著以參照較貼近詮釋者本身的結構分析版本,將各個片段作結構的劃分,進而找尋存在於片段與片段之間或段落與段落之間,情感張力的轉換或延續,進而統整表情,找到貫穿全曲的情感依據。zh_TW
dc.description.abstract“Mosaic” Treatment and The Resultant Expressive Content: Studies of Interpretation in Tippett’s Piano Sonata No. 2en_US
dc.language.isozh_TWen_US
dc.subject堤貝特zh_TW
dc.subjectTippetten_US
dc.title張巧怜鋼琴演奏會(含輔助文件:「拼貼」於音樂的表情空間---堤貝特 (Tippett) 第二號鋼琴奏鳴曲之詮釋探討zh_TW
dc.titleChiao-Ling Chang Piano Ricital(With a Supporting Paper: “Mosaic” Treatment and The Resultant Expressive Content -Studies of Interprepation in Tippett’s Piano Sonata No.2)en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
顯示於類別:畢業論文