完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.author | 楊惠宇 | en_US |
dc.contributor.author | Huei-Yu Yang | en_US |
dc.contributor.author | 張恬君 | en_US |
dc.contributor.author | Dr.Tien-Chun Chang | en_US |
dc.date.accessioned | 2014-12-12T02:31:33Z | - |
dc.date.available | 2014-12-12T02:31:33Z | - |
dc.date.issued | 2002 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#NT910509006 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/70964 | - |
dc.description.abstract | 伴隨著網際網路與電腦科技的進步,虛擬化的影像已成為人們主導意識的新空間。在影像大量複製之下,也衍生出花樣百出的影像文化,影像的無國界與普遍性促使人人都可能成為影像的製造者與消費者。以視覺傳達的環境為例,受到近年來本土文化的衝擊,影像創作者對於「認同傾向」或「集體記憶」開始產生關切,也傾向運用老舊的影像或物件,讓作品本身傳達出記憶的文化內涵與特質,更喚醒一股懷舊的設計風潮,無形地對於視覺文化形成了一系列的影像與意識型態的記憶性符號。以商業設計為例,出現了色調刻意仿古或脫色痕跡的懷舊廣告,另外在當代藝術當中也有不少藝術家運用老舊物件與影像創作,由此可見懷舊情緒所引發的流行文化之所以盛行,是由於人們從求新的狂熱中冷靜下來的沈思,發現過去的事物並非全無存在的理由,老舊與傳統的價值是不容忽視的。人們開始學習嘗試了解與自己熟悉的事物,並去發現合乎自己的過去文化與風格。 本研究主要是透過數位化處理的過程,來探討影像老舊質感的技術性,並藉由量化統計與問卷訪談取得相關統計數值以提供影像相關工作者一個參考依據。其最終目的是開拓影像質感表現在視覺傳達設計領域之廣度與深度,並探討電腦影像處理對老舊質感之模擬效果與懷舊情感的對應關係。且之後將對實驗結果有影響性的相關影像處理技術,一併納入研究的過程與結果分析,試圖架構出一個模擬老舊影像質感的方向,並應用統計與調查出的結果模擬出一個影像老舊化處理的濾鏡介面。 | zh_TW |
dc.description.abstract | With improvements on internet and computer technology, virtual images had been a new room for people to direct their consciousness. Duplicated images extends a variety of image cultures, and make everyone become producer and consumer of images. In the environment of visual communication, image producers had started to show their concerns in “tent of identification” or “collective memory” due to impacts from surging provincial cultures in recent years. They were prone to using old-fashion images or objects to make works of creation convey the cultural connotation and characteristics of memory that further awakens a trend of nostalgic design, thus imperceptibly creating a series of memorized symbolism of images and ideology in visual culture. Consequently, people started to learn and understand something with which they are familiarized and explore the past cultures and styles that are compatible with them. The main purpose of this study was to display the technology of old-fashion textures image by applying the digital processing technique. It also got relative statistical values by quantity statistics and survey methods to provide a reference basis to those image workers. The study aimed at expanding the image textures expression on the width and depth of the field of visual communication design as well as discussing the relationship among computer image management, the imitative effect of old-fashion image quality, and emotion triggered by old-fashion images. Finally, the research applied the relative image management methods affecting the experimental outcome to the study processing and outcome analysis by trying to frame a computer image effect direction of imitative old-fashion quality and applying statistics and investigative outcomes to imitate a filter surface of image old-fashion management. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 懷舊設計風潮 | zh_TW |
dc.subject | 影像處理技術 | zh_TW |
dc.subject | 老舊影像質感 | zh_TW |
dc.subject | 濾鏡介面 | zh_TW |
dc.subject | nostalgia style | en_US |
dc.subject | image processing | en_US |
dc.subject | old-fashion textures image | en_US |
dc.subject | a filter surface of image | en_US |
dc.title | 靜態電腦平面老舊化效果對應影像處理軟體指令關係研究--以早期肖像攝影模擬為例 | zh_TW |
dc.title | A Study of Utilizing the Faded Effect in Static Computer Imagery for Simulating Early Portrait Photography | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 應用藝術研究所 | zh_TW |
顯示於類別: | 畢業論文 |