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dc.contributor.author玉珊en_US
dc.contributor.authorYu, Shanen_US
dc.contributor.author李俊穎en_US
dc.contributor.author吳庭毓en_US
dc.contributor.authorLee,Juin-Yingen_US
dc.date.accessioned2014-12-12T02:33:33Z-
dc.date.available2014-12-12T02:33:33Z-
dc.date.issued2012en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT079946514en_US
dc.identifier.urihttp://hdl.handle.net/11536/71841-
dc.description.abstract本文為詮釋與分析二十世紀作曲家浦羅柯菲夫於1917年完成的D大調第一號小提琴協奏曲。先簡述浦羅柯菲夫的生平及創作風格,再從協奏曲的歷史演進來探討此首二十世紀小提琴協奏曲的創作背景及特色。最後進行到樂曲的架構分析,並藉由分析的結果來探討此曲的詮釋方式,以尋得理想合適的音樂表現。zh_TW
dc.description.abstractThis article aims to interpret and analyze Sergei Prokofiev’s Violin Concerto No. 1 in D major composed in 1917. We sketches Prokofiev’s biography and the style of his creation, followed by the research of the background and characteristics of this composition based on the development of concertos throughout history. At the end, we investigate the interpretation of this concerto via structural analysis in order to acquire the ideal way of performance.en_US
dc.language.isozh_TWen_US
dc.subject浦羅柯菲夫zh_TW
dc.subject小提琴協奏曲zh_TW
dc.subject二十世紀zh_TW
dc.subject協奏曲歷史zh_TW
dc.subjectProkofieven_US
dc.subjectviolin concertoen_US
dc.subject20th Centuryen_US
dc.subjectthe history of concertoen_US
dc.title玉珊小提琴演奏會含輔助文件-浦羅柯菲夫D大調第一號小提琴協奏曲:分析與詮釋zh_TW
dc.titleShan Yu violin recital with a supproting paper-Serge Prokofiev:analysis and interpretation of violin concerto no.1 in D major, op.19en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis