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dc.contributor.author胥灌筠en_US
dc.contributor.authorKuan-Yun Shiuen_US
dc.contributor.author陳彥豪en_US
dc.contributor.author王真儀en_US
dc.contributor.authorYen-How Chengen_US
dc.contributor.authorJen-Yi Wangen_US
dc.date.accessioned2014-12-12T03:08:54Z-
dc.date.available2014-12-12T03:08:54Z-
dc.date.issued2007en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009446518en_US
dc.identifier.urihttp://hdl.handle.net/11536/81945-
dc.description.abstract本文是以二十世紀英國作曲家賈可伯所創作的法國號協奏曲為研究對象。試圖藉由了解賈可伯的生平、創作風格,以及樂曲的基本架構分析,在詮釋中尋得理想合適的音樂表現。zh_TW
dc.description.abstractThis thesis focuses on the music of the twentieth-century British composer, Gordon Jacob, and his Concerto for Horn and Strings. Through an understanding of Gordon Jacob’s life, his compositional styles, and a detailed analysis of his Horn Concerto, the author attempts to seek an ideal manifestation in interpretation.en_US
dc.language.isozh_TWen_US
dc.subject賈可伯zh_TW
dc.subject法國號zh_TW
dc.subject協奏曲zh_TW
dc.subjectJacoben_US
dc.subjectFrench Hornen_US
dc.subjectConcertoen_US
dc.title胥灌筠法國號演奏會(含輔助文件:戈登•賈可伯《給法國號與弦樂團的協奏曲》之詮釋與分析zh_TW
dc.titleKuan-Yun Shiu Horn Recital(with a Supporting Paper: Gordon Jacob's Concerto for Horn and Strings--Interpretation and Analysis)en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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