Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 不詳 | en_US |
dc.date.accessioned | 2014-12-12T05:13:32Z | - |
dc.date.available | 2014-12-12T05:13:32Z | - |
dc.date.issued | 1974 | en_US |
dc.identifier.uri | http://yuyuyang.e-lib.nctu.edu.tw/index.asp?view=5&db=lanp&no=N0020 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/84161 | - |
dc.description.abstract | 中國館兩側面的〔大地春回〕浮雕是以60度角組合變化而成。它以三棵樹的基形變化,楊英風解釋說:把樹木帶進建築,即表現與自然徹妙結合後恬淡、寧靜的情境,是中國人在環境美化中幾千年來所一貫強調的特質。楊英風認為這特質與史波肯博覽會力求改善自然環境的目的相符。 | zh_TW |
dc.language.iso | zh_TW | en_US |
dc.subject | 楊英風 | zh_TW |
dc.subject | 美國史波肯世界博覽會 | zh_TW |
dc.subject | 大地春回 | zh_TW |
dc.subject | 景觀浮雕 | zh_TW |
dc.title | 美國史波肯世界博覽會中國館美化工程(1973-1974) | zh_TW |
dc.type | 老照片 | zh_TW |
Appears in Collections: | Yuyu Yang Digital Art Museum |
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