硬蕊書寫與國語異托邦：台灣小文學的舞鶴難題
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Publisher
國立陽明交通大學出版社
National Yang Ming Chiao Tung University Press
National Yang Ming Chiao Tung University Press
DOI
10.6752/jcs.201003_(10).0001
Abstract
本論文將嘗試解析台灣作家舞鶴的作品，並展現其對中文語言所帶來的重大衝擊。舞鶴作品的特異性無疑在於其巧妙地運用「台灣國語」所發展出的風格式書寫。基於對表達的深刻思索，舞鶴的文學語言得以從主流語言中怪異地逃逸出來，創造出一種對語言的全新思考經驗。本文將此經驗命名為「硬蕊書寫」，並將此經驗所標誌的特異空間稱為「國語異托邦」。
This essay examines the work of Wu-He, and shows the impact of his writing against the Chinese modern writing. The singularity of the writing of Wu-He comes from the extraordinary mixture of ”Taiwanese Mandarin”. It is a strange style that was escaping from the majority language. Wu-He gives us a rare experience of literature, which we call ”hardcore writing”. And this experience finally built an aberrant space, which we call, according to Michel Foucault, heterotopia.
This essay examines the work of Wu-He, and shows the impact of his writing against the Chinese modern writing. The singularity of the writing of Wu-He comes from the extraordinary mixture of ”Taiwanese Mandarin”. It is a strange style that was escaping from the majority language. Wu-He gives us a rare experience of literature, which we call ”hardcore writing”. And this experience finally built an aberrant space, which we call, according to Michel Foucault, heterotopia.