Cold War and the contested identity formation of Korean filmmakers: on Boxes of Death and Kim Ki-yo˘ng's USIS films

Date

Authors

Publisher

Routledge

DOI

10.1080/14649373.2013.831194

URI

http://dx.doi.org/10.1080/14649373.2013.831194
https://ir.lib.nycu.edu.tw/handle/11536/158945

Collections

Inter-Asia Cultural Studies;;Inter-Asia Cultural Studies