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Cold War and the contested identity formation of Korean filmmakers: on Boxes of Death and Kim Ki-yo˘ng's USIS films

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dc.citation.epage563en_US
dc.citation.issue4en_US
dc.citation.spage551en_US
dc.citation.volume14en_US
dc.contributor.authorH. S. Kimen_US
dc.date.accessioned2022-09-27T08:11:38Z
dc.date.available2022-09-27T08:11:38Z
dc.date.issued2013en_US
dc.identifier.doi10.1080/14649373.2013.831194en_US
dc.identifier.issn1469-8447en_US
dc.identifier.journalInter-Asia Cultural Studiesen_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2013.831194en_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/158945
dc.language.isoen_USen_US
dc.publisherRoutledgeen_US
dc.titleCold War and the contested identity formation of Korean filmmakers: on Boxes of Death and Kim Ki-yo˘ng's USIS filmsen_US
dc.typeCampus Publicationsen_US

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