The feeling of being watched: lived Confucianism and theatricality in Kuo Pao Kun’s mid-1980s monodramas

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dc.citation.epage237en_US
dc.citation.issue2en_US
dc.citation.spage225en_US
dc.citation.volume21en_US
dc.contributor.authorP. Raeen_US
dc.date.accessioned2022-09-27T08:11:05Z
dc.date.available2022-09-27T08:11:05Z
dc.date.issued2020en_US
dc.identifier.doi10.1080/14649373.2020.1759885en_US
dc.identifier.issn1469-8447en_US
dc.identifier.journalInter-Asia Cultural Studiesen_US
dc.identifier.urihttp://dx.doi.org/10.1080/14649373.2020.1759885en_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/158152
dc.language.isoen_USen_US
dc.publisherRoutledgeen_US
dc.titleThe feeling of being watched: lived Confucianism and theatricality in Kuo Pao Kun’s mid-1980s monodramasen_US
dc.typeCampus Publicationsen_US

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