Suzuki Tadashi\'s La Dame aux Camelias in Taiwan

dc.citation.epage	241	en_US
dc.citation.issue	1	en_US
dc.citation.spage	228	en_US
dc.citation.volume	31	en_US
dc.contributor.author	Tuan, Iris Hsin-chun	en_US
dc.contributor.department	人文社會學系含：族群與文化碩士班	zh_TW
dc.contributor.department	Department of Humanities and Social Sciences, Graduate Program of Ethnicity and Culture	en_US
dc.date.accessioned	2014-12-08T15:36:00Z
dc.date.available	2014-12-08T15:36:00Z
dc.date.issued	2014-03-01	en_US
dc.description.abstract	Postmodern pastiche and hybridity informed the performance La Dame aux Camelias (Taipei, 2011) directed by Tadashi Suzuki (19394 Suzuki\'s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings. Iris Hsin-chun Tuan is an associate professor in the Department of Humanities and Social Sciences at National Chiao Tung University in Taiwan. She received her PhD in theater from the University of California, Los Angeles, and has been a visiting scholar at Harvard University.	en_US
dc.identifier.issn	0742-5457	en_US
dc.identifier.journal	ASIAN THEATRE JOURNAL	en_US
dc.identifier.uri	https://ir.lib.nycu.edu.tw/handle/11536/24352
dc.language.iso	en_US	en_US
dc.title	Suzuki Tadashi\'s La Dame aux Camelias in Taiwan	en_US
dc.type	Article	en_US

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