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Queer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Mother

dc.citation.epage107en_US
dc.citation.issue1en_US
dc.citation.spage89en_US
dc.citation.volume58en_US
dc.contributor.authorChang, Ivy I-chuen_US
dc.contributor.department交大名義發表zh_TW
dc.contributor.departmentNational Chiao Tung Universityen_US
dc.date.accessioned2014-12-08T15:34:47Z
dc.date.available2014-12-08T15:34:47Z
dc.date.issued2014-03-01en_US
dc.description.abstractShuttling queerly across multiple temporalities, Chou Katherine Hui-ling's drama depicts a romance between You Ruilang, a self-castrated female impersonator, and Xu Jifang. The dramaturgy of gender transitivity intertwines sexual identity and nationalism, making palpable the homosexuality and homosociality that occurs between homophobia and homophilia.en_US
dc.identifier.doi10.1162/DRAM-a-00329en_US
dc.identifier.issn1054-2043en_US
dc.identifier.journalTDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIESen_US
dc.identifier.urihttp://dx.doi.org/10.1162/DRAM-a-00329en_US
dc.identifier.urihttps://ir.lib.nycu.edu.tw/handle/11536/23674
dc.language.isoen_USen_US
dc.titleQueer Politics, Sexual Anarchism, and Nationalism: The Chinese Male Mother and the Queer Family in He Is My Wife, He Is My Motheren_US
dc.typeArticleen_US

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