壓抑的「言語」與再造的「身體」：《香．夭》重演之過程及其評論
| dc.citation.epage | 212 | en_US |
| dc.citation.issue | 28 | en_US |
| dc.citation.spage | 187 | en_US |
| dc.contributor.author | 董顯亮 | zh_TW |
| dc.date.accessioned | 2022-09-19T02:16:11Z | |
| dc.date.available | 2022-09-19T02:16:11Z | |
| dc.date.issued | 2019-12-01 | en_US |
| dc.identifier.doi | 10.6752/jcs.201912_(28).0006 | en_US |
| dc.identifier.issn | 1816-0514 | en_US |
| dc.identifier.journal | 文化研究 | zh_TW |
| dc.identifier.journal | Router: A Journal of Cultural Studies | en_US |
| dc.identifier.uri | http://dx.doi.org/10.6752/jcs.201912_(28).0006 | en_US |
| dc.identifier.uri | https://ir.lib.nycu.edu.tw/handle/11536/158035 | |
| dc.language.iso | zh_TW | en_US |
| dc.publisher | 國立陽明交通大學出版社 | zh_TW |
| dc.publisher | National Yang Ming Chiao Tung University Press | en_US |
| dc.title | 壓抑的「言語」與再造的「身體」：《香．夭》重演之過程及其評論 | zh_TW |
| dc.type | Campus Publications | en_US |