Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 簡立亞 | en_US |
dc.contributor.author | Chien,.Li-Ya | en_US |
dc.contributor.author | 林慶俊 | en_US |
dc.contributor.author | Lin, Chin-Chun | en_US |
dc.date.accessioned | 2015-11-26T00:55:21Z | - |
dc.date.available | 2015-11-26T00:55:21Z | - |
dc.date.issued | 2015 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#GT070159319 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/125720 | - |
dc.description.abstract | 本論文就韋伯生平背景著手,以現今樂曲文本所提供的資料進行曲式、調性及動機發展分析,並根據分析結果進一步探討詮釋《降E大調單簧管與鋼琴協奏式大二重奏,作品48》之方法,筆者更透過韋伯手稿與後世名家編譯版本進行比較,最後彙整探討研究之結果,期許能提供演奏者於詮釋該作品時,除了貼近原創作曲者之樂思外,另一方具有根據且合理的聆聽演繹角度。 | zh_TW |
dc.description.abstract | This thesis starts form Weber’s background, further analyzing the score we could use nowadays, including the motives, tonality, harmonic and forms of three movement, and using these results to probe the way how should we perform Grand duo Concertant for Clarinet and Piano, op. 48 and be closed to the primeval of Weber’s. In the same time this thesis can also propose a rational way to know and perform this piece. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 韋伯 | zh_TW |
dc.subject | 單簧管 | zh_TW |
dc.subject | 賀姆斯泰德 | zh_TW |
dc.subject | 降E大調單簧管與鋼琴協奏式大二重奏,作品48 | zh_TW |
dc.subject | Weber | en_US |
dc.subject | Clarinet | en_US |
dc.subject | Hermstedt | en_US |
dc.subject | Grand duo Concertant for Clarinet and Piano, op. 48 | en_US |
dc.title | 簡立亞單簧管演奏會 含輔助文件 韋伯《降E大調單簧管與鋼琴協奏式大二重奏,作品48》 分析與詮釋探討 | zh_TW |
dc.title | LI-YA CHIEN CLARINET RECITAL WITH A SUPPORTING PAPER ANALYSIS AND INTERPRETATION ON WEBER’S GRAND DUO CONCERTANT FOR CLARINET AND PIANO, OP. 48. | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
Appears in Collections: | Thesis |