顯影劑 : 物與場中的意境

Abstract

本論文透過對山水畫與園林中文人思想的研究，探討於建築中設計者透過某種媒介再現全知的真實環境並傳達給使用者的一種設計方法。

將再現的過程定義為顯影，過程中的媒介定義為顯影劑。同時將物與場視為環境中某種特性的顯像，討論顯影劑在環境中運作時物的物質性與抽象面所能傳達給使用者的層次以及場中某種環資訊境變化的頻率能讓使用者感受到環境中時間的運作與韻律的一種狀態。

設計者透過顯影劑彰顯環境中物與場間某種事物關係的流向變化來隱喻真實，而使用者則藉此感受到設計者意中之真實並參與其中。

Research done in the current thesis is based on oriental scholar conception in the Chinese landscape painting and Chinese traditional garden, discussing a design conception on representing “The environment in omniscient viewpoint” and how this conception transfers between designer and user.

Takes “object” and “field” both as the properties of environment. By defining the process of representing “The environment in omniscient viewpoint” as developing and the agent in the process as developer to discuss on the process how developer reveals the materiality and abstract metaphor in the object part of environment and how it reveals the rhythm in the field part of environment.

Developing helps user involve in the environment which is represented by designer spiritually.