標題: | 蔡季芳多媒體音樂作品發表會 含原創作品集與《樓》註釋文件 CHI-FANG TSAI MULTIMEDIA COMPOSITION RECITAL - ORIGINAL COMPOSITIONS WITH COMMENTARY OF “CHAMBER” |
作者: | 蔡季芳 董昭民 Tsai, Chi-Fang Tung, Chiao-Ming 音樂研究所 |
關鍵字: | 多媒體;人聲;電聲;舞蹈;五行;五聲;multimedia;voice;dance;electronic music;Wu Xing;pentatonic scale |
公開日期: | 2017 |
摘要: | 本論文為多媒體音樂作品《樓》之輔助文件,分作兩個部分,第一部分為創作理念、素材與段落設計之文本說明,第二部分為含《樓》在內之原創作品曲譜。
《樓》為一予女高音、電聲及舞蹈之多媒音樂創作,以兼具承載與阻隔功能之「樓」字,作為全曲的核心意象。藉道學中相剋、相生之五行及其與五音、五色相通的理論基礎,將五聲系統內部結構彼此相容的特性,引申為不同文化環境所構築之多元的思維脈絡。透過MAX/MSP即時編程平台,整合電聲與人聲,演出場域虛實空間的連結,以兩者的對話,表現脈絡間彼此溝通、交流的可能。
本論文分有四個章節,第一章為緒論;第二章為作品理念,介紹《樓》的創作背景、動機及相關研究;第三章為作品分析,詳述作品之舞臺、素材與段落設計;而第四章為本論文之結語。 This thesis is a supporting paper of “Chamber”, an original multimedia composition. It consists of two parts. The first part introduces the creative concept. The second part presents the original musical score which includes “Chamber”. “Chamber" is a multi-media composition for soprano, electronic music and dancer. Using the core image of the Chinese word “樓” to be the main idea of this work, the functional meaning, such as "support" and "confine" are related in social phenomena. It reflects the possible problem in cross-cultural thinking. This thesis contains four chapters. The first chapter is the preface. The second features the background information, including motivation and related researchs. The third is the analysis of “Chamber”, detailing the stages, materials and the mainipulating of musical elements. And the last chapter is the conclusion of this thesis. |
URI: | http://etd.lib.nctu.edu.tw/cdrfb3/record/nctu/#GT070259306 http://hdl.handle.net/11536/140518 |
顯示於類別: | 畢業論文 |