節點：空間組構的驅動力

Abstract

建築設計有很多種手段與工具，而當我們看待建築的方式離開單一視角、空間、機能與時間時，就得開始面對不同空間的經驗過程與銜接關係等問題。在當今強調建築機能主義的背景下，空間使用對定性定量中高效率的需求讓很多機能的空間形式難以突破現況或展現創作者的意志。在這兩個前提下，空間或機能的銜接關係對於如何展現創作者意志的設計手段或切入點就具有很大的發展性。

本論文從構造的連接點「接頭」(Joint)作為開始，發現其俱有展現創作者意圖的表現，並回頭探討何謂建築設計中的「節點」(Joint)。透過重新定義設計中銜接的「節點」(Joint)與被銜接的「物」(Object)，再歸納整理作者設計中八種不同分類的連接關係：從個別的「節點」展現其表現性、複數的「節點」展現其認知與系統性、具有機能意義的「節點」來表現其如何面對當代問題。以此為基礎進而論述節點如何作為操作各種不同議題創作的驅動力。

There are lots of methods to develop architectural design today. However, when we no longer treat architecture from a single perspective of space, program or time, we have to deal with other views like relationship between spaces or experiences in the place. Nowadays, we too much focus on the program efficiency of architecture, it causes the developments of architecture to lend to stagnation and lose expression of the specialty from designer. In this case, dealing with connecting situation between spaces and programs will become the beginning-point to break this stagnation and truly reveal the will of designers.

In the beginning of this thesis, I dissertate that structural “ joint” in works can express the intension of designers, and than try to conversely dissertate what is the abstract " joint" in design methodology. By redefining the meaning of " joint" and " object", and sorting out the joint issues from 8 different projects to 3 fields: a single joint showing the expression of space, plural joints to show legibity of series spaces and the joint with programs to solve the contemporary problem, we can dissertate how the “ joint” become the driving force operating design methodology from different kinds of issues.